Rwanda
Ancora sangue sulla terra del Rwanda
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envoyé par dq82 4/9/2017 - 10:37
Parcours:
1994: Génocide au Rwanda
Petit pays
[2013]
Parole e musica di Gaël Faye (1982-), rapper franco-ruandese, nato in Burundi, di padre francese e madre rifugiata ruandese, di etnia tutsi. Nel 1993 la famiglia riparò in Francia a seguito dell’acutizzarsi della guerra civile in Burundi, dopo la deposizione e l’assassinio del presidente hutu Melchior Ndadaye da parte di alcuni ufficili di etnia tutsi.
Nell’album intitolato “Pili Pili sur un Croissant au Beurre”
Testo trovato su Genius
Il ritornello - credo sia in kirundi, lingua del Burundi, o in kinyarwanda, molto simile, parlata in Ruanda - significa “Piccolo paese, grande paese, sei stato ferito, hai sofferto ma la sofferenza non ti ha sconfitto, piccolo paese, grande paese.”
“Les hommes sont bêtes, l'Afrique est belle, fais pas l'erreur de la haïr”, così Gaël Faye in un’altra sua canzone, “Président”
La canzone è indirizzata al Burundi, dove Gaël Faye trascorse la sua infanzia,... (continuer)
Parole e musica di Gaël Faye (1982-), rapper franco-ruandese, nato in Burundi, di padre francese e madre rifugiata ruandese, di etnia tutsi. Nel 1993 la famiglia riparò in Francia a seguito dell’acutizzarsi della guerra civile in Burundi, dopo la deposizione e l’assassinio del presidente hutu Melchior Ndadaye da parte di alcuni ufficili di etnia tutsi.
Nell’album intitolato “Pili Pili sur un Croissant au Beurre”
Testo trovato su Genius
Il ritornello - credo sia in kirundi, lingua del Burundi, o in kinyarwanda, molto simile, parlata in Ruanda - significa “Piccolo paese, grande paese, sei stato ferito, hai sofferto ma la sofferenza non ti ha sconfitto, piccolo paese, grande paese.”
“Les hommes sont bêtes, l'Afrique est belle, fais pas l'erreur de la haïr”, così Gaël Faye in un’altra sua canzone, “Président”
La canzone è indirizzata al Burundi, dove Gaël Faye trascorse la sua infanzia,... (continuer)
Gahugu gatoyi
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envoyé par Bernart Bartleby 24/3/2016 - 21:56
Parcours:
1994: Génocide au Rwanda
Papaoutai
(2013)
Album Racine carrée
Nel video viene mostrato un bambino che cerca di interagire con il padre (interpretato da Stromae) che siede su una poltrona con un'espressione che ricorda quella di un manichino mentre gli altri bambini danzano insieme ai propri padri. Nel finale il bambino si siede a fianco del padre assumendo la stessa rigida posizione. Il video ha ricevuto oltre 300 milioni di visualizzazioni ed è anche il video in lingua francese più visto di sempre su YouTube.
Il controverso significato del video rimase nascosto fino a quando Stromae in un'intervista dichiara che il video è una sorta di interpretazione della sua infanzia vissuta in mancanza del padre ucciso nel genocidio del Ruanda.
wikipedia
Album Racine carrée
Nel video viene mostrato un bambino che cerca di interagire con il padre (interpretato da Stromae) che siede su una poltrona con un'espressione che ricorda quella di un manichino mentre gli altri bambini danzano insieme ai propri padri. Nel finale il bambino si siede a fianco del padre assumendo la stessa rigida posizione. Il video ha ricevuto oltre 300 milioni di visualizzazioni ed è anche il video in lingua francese più visto di sempre su YouTube.
Il controverso significato del video rimase nascosto fino a quando Stromae in un'intervista dichiara che il video è una sorta di interpretazione della sua infanzia vissuta in mancanza del padre ucciso nel genocidio del Ruanda.
wikipedia
Dites-moi d'où il vient
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12/2/2016 - 23:52
Parcours:
1994: Génocide au Rwanda
Parce qu'on vient de loin
(2002)
dall'album omonimo
Corneille è un cantante di r'n'b nato in Germania originario del Rwanda. Nel 1994 ha 17 anni. La madre è hutu e il padre tutsi. Un gruppo armato entra nella casa di famiglia e uccide i suoi genitori, i fratelli e le sorelle. Corneille assiste al massacro, sopravvive nascondendosi dietro a un divano. Fugge in Zaire, a due giorni di cammino e trova rifugio presso una coppia tedesca amica dei genitori.
Da questa storia tragica, si può ben capire il perché dell'invito a vivere ogni giorno come se fosse l'ultimo, nella canzone che dà il titolo al suo primo album.
dall'album omonimo
Corneille è un cantante di r'n'b nato in Germania originario del Rwanda. Nel 1994 ha 17 anni. La madre è hutu e il padre tutsi. Un gruppo armato entra nella casa di famiglia e uccide i suoi genitori, i fratelli e le sorelle. Corneille assiste al massacro, sopravvive nascondendosi dietro a un divano. Fugge in Zaire, a due giorni di cammino e trova rifugio presso una coppia tedesca amica dei genitori.
Da questa storia tragica, si può ben capire il perché dell'invito a vivere ogni giorno come se fosse l'ultimo, nella canzone che dà il titolo al suo primo album.
Nous sommes nos propres pères
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4/5/2014 - 22:38
Parcours:
1994: Génocide au Rwanda
Tutsi Hutu
[1999]
Parole e musica di Michèle Bernard
Album “Voler…”
Parole e musica di Michèle Bernard
Album “Voler…”
Ils sont quinze gamins qui vivent malgré tout - tsi
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envoyé par Dead End 27/11/2012 - 17:48
Parcours:
1994: Génocide au Rwanda
Wolves
[2006]
Album: Signals Screaming
Upcoming single Jan 2007 - video release by Free Zen Design and directed by Shaun Friesen - Song dedicated to survivors of the Rwandan genocide/1994
Album: Signals Screaming
Upcoming single Jan 2007 - video release by Free Zen Design and directed by Shaun Friesen - Song dedicated to survivors of the Rwandan genocide/1994
Machete greetings
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envoyé par giorgio 18/5/2010 - 12:33
Parcours:
1994: Génocide au Rwanda
Apathy at the UN
[1996]
Lyrics by Bobby Dodd
Music by Jerry & Candace Willard
Song about the U.N. responsibilities on Rwandan genocide
Lyrics by Bobby Dodd
Music by Jerry & Candace Willard
Song about the U.N. responsibilities on Rwandan genocide
He was a lieutenant general,
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envoyé par gio 17/1/2010 - 12:36
Parcours:
1994: Génocide au Rwanda
Chanson nécessaire
[1997]
Album "Jusqu'à quand?"
Album "Jusqu'à quand?"
Sur les collines vertes
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envoyé par Alessandro 21/5/2009 - 13:03
Parcours:
1994: Génocide au Rwanda
In All Rwanda's Glory
[2001]
"Progress"
"Progress"
What do you wanna be?
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envoyé par Alessandro 31/7/2008 - 15:44
Parcours:
1994: Génocide au Rwanda
Lake Victoria
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
I once thought sins were washed away
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envoyé par Riccardo Venturi 17/9/2007 - 22:59
Parcours:
1994: Génocide au Rwanda
Tell Me How
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
You say "we remember"
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envoyé par CCG/AWS Staff 17/9/2007 - 22:50
Parcours:
1994: Génocide au Rwanda
Talkin' First Day Working At The UN Blues
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
Got a job at the UN the pay's pretty good
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envoyé par CCG/AWS Staff 17/9/2007 - 22:46
Parcours:
1994: Génocide au Rwanda
Requiem For Butare
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
First among the tell-tale signs of madness
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envoyé par CCG/AWS Staff 17/9/2007 - 22:32
Parcours:
1994: Génocide au Rwanda
Joseline
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
She was 17 years
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envoyé par CCG/AWS Staff 17/9/2007 - 22:27
Parcours:
1994: Génocide au Rwanda
Madame Agathe
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
Hercules is racing for the border
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envoyé par CCG/AWS Staff 17/9/2007 - 21:59
Parcours:
1994: Génocide au Rwanda
I'm Coming Home
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
It's been 9 long years
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(continuer)
envoyé par CCG/AWS Staff 17/9/2007 - 21:34
Parcours:
1994: Génocide au Rwanda
Romeo Dallaire
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
When I lay down I can hear the guns
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(continuer)
envoyé par CCG/AWS Staff 17/9/2007 - 21:23
Parcours:
1994: Génocide au Rwanda
Paul Kagame Blues
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
They say the love of one's country
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envoyé par CCG/AWS Staff 17/9/2007 - 21:16
Parcours:
1994: Génocide au Rwanda
Rwandan Eyes
A RWANDAN SONG CYCLE
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
© 2004 Tom Flannery and Lorne Clarke
a SongaWeek.com production
www.rwandasongs.com
Clarke & Flannery love to hear your thoughts on the song cycle. Email them to anthracite@rocketmail.com.
This is not a history lesson. We're not historians. We're songwriters. And anyway... how the hell is anybody going to explain the systematic state sponsored slaughter of close to a million people with a handful of songs? We're not.
Truth is, there is no explanation for the Rwandan genocide. What there is in abundance, however, is ignorance. If these songs make just one person dig a little deeper, then we've made our money back, so to speak. We've touched upon specific pieces of the horror, but don't even pretend to be able to understand it from the Rwandan point of view. We're observers from afar. Interested, heartbroken observers....but merely observers nonetheless. Please... (continuer)
I'd like to look through his eyes
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(continuer)
envoyé par CCG/AWS Staff 17/9/2007 - 21:09
Parcours:
1994: Génocide au Rwanda
Rwanda
Dall'album "Tra I Fuochi In Mezzo Al Cielo" del 2005.
“Ero ammutolita, non riuscivo a pensare neanche al futuro più immediato. Questo per una serie di ragioni: non solo perché avevo visto scene agghiaccianti, ma per l’indifferenza, denunciata nel film, dell’Occidente e di tutto il mondo rispetto a quel che accadeva”. Paola Turci la spiega così l’ispirazione che l’ha portata “nel giro di mezz’ora” a comporre Rwanda, pezzo di punta dell'album Tra i fuochi in mezzo al cielo (2005).
Con questa canzone, la cantautrice romana ha vinto la 4^ edizione del "Premio Amnesty Italia", il riconoscimento indetto dalla sezione italiana di Amnesty International e da Voci per la Libertà assegnato ogni anno al brano che meglio affronta il tema dei diritti umani.
Un rock istintivo e spigoloso.
Un brano nel quale l’immediatezza della composizione si mostra quasi chiara nell’armonia appuntita e nella voce... (continuer)
“Ero ammutolita, non riuscivo a pensare neanche al futuro più immediato. Questo per una serie di ragioni: non solo perché avevo visto scene agghiaccianti, ma per l’indifferenza, denunciata nel film, dell’Occidente e di tutto il mondo rispetto a quel che accadeva”. Paola Turci la spiega così l’ispirazione che l’ha portata “nel giro di mezz’ora” a comporre Rwanda, pezzo di punta dell'album Tra i fuochi in mezzo al cielo (2005).
Con questa canzone, la cantautrice romana ha vinto la 4^ edizione del "Premio Amnesty Italia", il riconoscimento indetto dalla sezione italiana di Amnesty International e da Voci per la Libertà assegnato ogni anno al brano che meglio affronta il tema dei diritti umani.
Un rock istintivo e spigoloso.
Un brano nel quale l’immediatezza della composizione si mostra quasi chiara nell’armonia appuntita e nella voce... (continuer)
Volevo vivere la mia esistenza
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envoyé par Alessandro 26/4/2006 - 22:06
Parcours:
1994: Génocide au Rwanda
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Brano strumentale nell’album intitolato “Sanacore”
In Ruanda, dal 6 aprile alla metà di luglio del 1994, per circa 100 giorni, vennero massacrate sistematicamente - a colpi di armi da fuoco, machete pangas e bastoni chiodati - almeno 500.000 persone (secondo le stime di Human Rights Watch), in stragrande maggioranza appartenenti all’etnia minoritaria dei Tutsi (ma anche Hutu moderati). I carnefici, organizzati in milizie finanziate, armate ed equipaggiate dal Governo, erano di etnia Hutu. La stima delle vittime salì in seguito fino a raggiungere una cifra pari a circa 800.000 o 1.000.000 di persone.
Un’immagine emblema del genocidio ruandese:
Durante un notiziario del 2000 il quotidiano britannico The Guardian rivelò che l’allora Segretario Generale dell'ONU, l’egiziano Boutros Boutros-Ghali [in carica tra il 1992 ed il 1996 e quindi anche durante il genocidio ruandese], giocò... (continuer)